from Society of Antiquaries, Vetusta Monumenta
If the ancient folkmoot was at least a theoretically participative
gathering, at the opposite chronological end of the Middle Ages community
involvement in local government was more characterized by civic processions.
Here the role of the community was more passive at the most,
re-active rather than pro-active.
Civic processions were a vehicle for expression of conspicuous
socio-political superiority. As such they naturally suited the ruling class
more, for the purpose was to foster the sense of political (comm)unity as
well as feelings of civic pride, without allowing any meaningful involvement
on the part of the populace, other than ritualistic. The role of the
populace was to be essentially supportive, in witnessing and thereby
approving or at least acquiescing in the status quo of power
and hierarchy, as displayed through elements of a procession, such as order
of appearance, costume, and incorporation of other symbols.
Religious processions held on festivals such as Corpus Christi gave support
to the same philosophy, accommodating the display of socio-political
differentiation within the community and thereby appearing to give it
the blessing of the Church.
Whereas the folkmoot was at least a somewhat egalitarian gathering, if at
risk of becoming a free-for-all, the procession established a division
between audience and players, rulers and ruled, leaders and followers
(although in actual fact some processions were structured in a reverse order
of status). It also aimed at communicating and reinforcing the values of
orderliness and decorum. In other words, at infusing the community with
the political philosophy of the urban patriciate one that
emphasized leaving government to those who were equal to the task, in terms
of authority, wealth and wisdom. This philosophy, by no means alien to
the ruled, was being implemented in constitutional developments in the
larger towns during the same period of the late fourteenth and
fifteenth centuries.
The illustration above is an extract from a depiction of the coronation-eve
procession of Edward VI, from the Tower to Westminster Abbey. The section
here appears to represent West Cheap, with the procession turning south
to head around the southern side of St. Paul's before exiting the city
through Ludgate (far right), then continue along Fleet Street and the
Strand.
Although the example is post-medieval and a national rather than
local event, pre-coronation processions through London were a long-standing
tradition. Civic processions associated with the annual ceremonies
surrounding the swearing-in of a new administration likely had a similar
character, with crowds watching from streets and windows and houses
decorated with cloths hung out. The intended effect of all the pomp and
ceremony was to impress both the populace and any viewing men of influence
from outside the town, and convey the notion that those who were the
centre of attention were fitted for rule.
In precocious London we see both civic processions and the philosophy of
rule developing in the thirteenth century, the procession of the
newly-elected mayor from the city to Westminster to take his oath of office
before the king's representative was initially more of an obligation than
an occasion for ceremony. But by the end of the fourteenth century,
the mayor and his peers (the aldermen) had been joined on the
procession by the leading members of the craft gilds, dressed in their
company liveries, and this participation later became obligatory; a feast,
minstrelsy, and pageants were incorporated in the fifteenth century.
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